Although Louis Vierne composed his six organ symphonies with the sound of the Romantic Cavaillé-Coll church organs and large cathedrals in mind, one can argue that smaller spaces better absorb the music’s rhythmic variety, harmonic richness, and many moments of dense chromatic counterpoint without compromising the composer’s colorful registration specifications. A case in point is […]

Go to Source
Author: Jed Distler

By admin